Scarab, Mn-hpr-ra, Thutmose III
1549 BCE-1292 BCE
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The back face is inscribed, with wear all around the outside face and one large chip to the bottom, showing the pale stone substrate. On the right and left are marks that bear little resemblance to real glyphs. The carving overall is very rough with numerous chips below the glaze.
Green glaze on a ceramic core
?Faience (composed of quartz, alkaline salts [natron or plant ash], lime, and metallic mineral-based colorant)
Glaze (formed by alkali and lime reacting with silica to form the glaze)
In 1914 many thousands of men left Australia for Egypt, encountering landscapes and material culture completely unfamiliar to them. Men were trained in warfare at Mena Army Camp – against a surreal backdrop of ancient pyramids and the Sphinx. When not training, the men spent their spare time in local towns and at Cairo, surrounded by the hustle and bustle of an exotic eastern city. The men enjoyed sightseeing, climbing the pyramids, exploring temples, and acquired Egyptian ‘curios’ (in the parlance of the era -rare, unusual, intriguing objects) for themselves, at the request of friends and relatives, or as gifts for family – what would become the ‘bric-a-brac’ of war.
For the amateur soldier-archaeologist there were many opportunities to secure Egyptian antiquities. A short horse ride with a local guide to a rich gravesite, would secure a dozen scarabs after a few minutes of digging. Curios could be purchased from street sellers, authentic antiquities dug up from the desert sands, or faux objects ‘inspired’ by authentic pieces, such as large scarab paperweights.
Selling replicas as genuine antiquities has been big-business in Egypt for hundreds of years. At the start of the war the trade in Egyptian fake antiquities was large, and proved a decent money earner for street sellers in Egypt. The number of soldiers travelling through or training in Egypt would have been an absolute boon for the souvenir sellers, including those selling ‘genuine’ antiquities and faux objects ‘inspired’ by the genuine antiquities, such as this object.